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Picture of Oscar Wilde; novelist, essayist, playwright / dramatist; nineteenth century Irish Literature


 
October 16, 1854
Oscar Wilde   (1854 - 1900)
 
Wilde, Mother & Son
 
by Steve King

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On this day in 1854, Oscar Wilde was born in Dublin. Though we may not have or want any conventional explanation for Oscar Wilde's personality, it seems cut from his parents' (or perhaps just his mother's) cloth. Lady Wilde was a poet who took license in many things. She was "Francesca Speranza Wilde" or just "Speranza" in letters to Henry Wadsworth Longfellow and the like -- "Francesca" from her given Frances, and "Speranza" (i.e. hope) from the motto on her stationery. She reduced her age by five years whenever convenient, and complied cheerily whenever Oscar reduced his. As host of a regular Saturday afternoon salon-party attended by hundreds, she dressed to be noticed -- bizarre jewelry, often a headdress although she was almost six feet tall -- and spoke to match. When asked to receive a young, "respectable" woman she replied, "You must never employ that description in this house. It is only tradespeople who are respectable. We are above respectability." When forced to relocate to London after her husband's death, she felt "the agony and loss of all that made life endurable, and my singing robes are trailed in London clay." She was, she said, related to Dante and to an eagle in previous lives.

Wilde's first extant writing is a thirteen-year-old's letter home to his mother from Portora Royal School in Enniskillen: "The flannel shirts you sent in the hamper are both Willie's, mine are one quite scarlet and the other lilac...." Later in life, in rejoinder to a comment on his name, Wilde said, "How ridiculous of you to suppose that anyone, least of all my dear mother, would christen me 'plain Oscar'.... I started as Oscar Fingal O'Flahertie Wills Wilde. All but two of the five names have already been thrown overboard. Soon I shall discard another and be known simply as 'The Wilde' or 'The Oscar.'" At Portora, Wilde was already a dandy and a Hellenist and a target, though he did more than pose. When he won the Carpenter Prize for Greek Testament, the headmaster used all five of his names when calling him to the stage, and all the boys laughed. When he won one of three scholarships to Trinity College the following year, his name -- the reduced version -- was entered in gilt letters upon the Portora honor board, Wilde's first marquee. When he later went on to Oxford, and sat for the compulsory divinity section of his examinations, he was given a passage dealing with the Passion to translate from the Greek New Testament; he did so with ease and fluency, and the examiners told him he could stop; Wilde, so the story goes, continued to translate, saying, "Oh, do let me go on, I want to see how it ends." Years later, when star pupil had become "C.3.3" in Reading Gaol, the gold lettering was painted out at Portora, and the headmaster scraped away the "O.W." he found carved into a windowsill; years after that, Portora had Wilde's name regilded.

Richard Ellman, from whose biography most of the above is taken, wrote that, "Like his mother, Wilde undercut his grandiosities with a smile." His humiliations too. In order to avoid detectives hired by the Marquis of Queensbury, or jeering strangers, Wilde's last years in France were spent as "Sebastian Melmoth" -- the name taken from Melmoth the Wanderer, written by one of Speranza's ancestors. When money allowed, Melmoth would have a villa and valet; when it didn't, and charity arrived to pay the debts at his cheap hotel, he would buy a nickel-plated bicycle for his newest lover.

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